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Humpty Dumpty 4. Spalding doesn't sing torch songs and rarely writes of romance. A slender reed of a woman who might still be mistaken for a teenager, Spalding possesses a voice that is agile and lithe, closer to Diana Ross, Roberta Flack (a closeted jazz musician) or Brazilian singer Elis Regina than to her jazz precursors. Junjo 7. Esperanza Spalding Born in 1984, bassist, singer and composer Esperanza Spalding began playing in small jazz and blues venues around her hometown of Portland, Oregon. March 8, 2010 Save this story for later. Esperanza Emily Spalding (born October 18, 1984) is an American jazz bassist, singer, songwriter, and composer.Her accolades include four Grammy Awards, a Boston Music Award, and a Soul Train Music Award.. A native of Portland, Oregon, Spalding began playing music professionally in her childhood, performing as a violinist in the Chamber Music Society of Oregon at age five. Her voice is capable of acrobatics. She won three more Grammys in 2013 and 2014, one of them shared with her mentor, Portland jazz trumpeter Thara Memory. Like guitar, it can take pyrotechnic solos. Perazuán 6. The year was 2011. Esperanza Spalding. Esperanza Spalding's seventh studio album, 12 Little Spells was a multisession work of sixteen new songs released in 2018 one by one, performed with a large electroacoustic 22-musician ensemble. "Judas" wows with epic, rangey harmonies linked together by a recurrent, loping bass line. She graduated from the Berklee College of Music in only three years, becoming, at the time, the youngest instructor in the school's history at the age of 20. Like keyboards, the bass provides accompaniment. Pop fans of a certain age may only remember Esperanza Spalding as a spoiler, the interloper who once robbed an obsessively worshiped teen idol of his Grammy. It included eight originals and three covers, and featured guest vocal appearances from Milton Nascimento and Gretchen Parlato, as well as a small string section, and guitarist Ricardo Vogt. It was during these years, starting at age five, that she began playing violin after seeing Yo-Yo Ma perform on an episode of Mister Rogers' Neighborhood. (When I saw the show, I couldn't help checking out Questlove seated at the end of my aisle, his head bobbing to Spalding's "I Know You Know.") Available with an Apple Music subscription. Born in 1984, bassist, singer and composer Esperanza Spalding began playing in small jazz and blues venues around her hometown of Portland, Oregon. The five-song EP was captured during the duo’s 2018 concerts at the highly reputable Village Vanguard nightclub in New York City. There's something particularly powerful about seeing a woman succeed — and succeed wildly, popularly — on the instrument. Her compositions are not easy. It's a timeless question on the surface, but one deeply engaged with whatever historical moment in which it is asked. Our list of the 200 Greatest Songs By Women+ offers a soundtrack to a new century. And those in the industry didn't care how I played because they saw I was marketable.". (Incidentally, Spalding is writing the libretto for Shorter's opera Iphigenia, premiering in 2020.) Mit fünf Jahren lernte sie Violine spielen motiviert dadurch, dass sie den Cellisten Yo-Yo Ma im Fernsehen gesehen hatte[2] und spielte zehn Jahre im Orchester des lokalen Kammermusikvereins (Chamber Music Society of Oregon). It's not enough to make list after list. She's setting an extreme example for young women in music.". The album reached number one on Billboard's Contemporary Jazz Albums chart, and helped earn Spalding the Grammy for Best New Artist. Subsequently, she spent much of her childhood being home-schooled. There was a novelty that drew people to me as an entity before the merit of my work could make a place for itself. Visionary vocalist/songwriter Esperanza Spalding and renowned pianist/composer Fred Hersch announce a 5-song duo EP to benefit musicians impacted by the COVID-19 pandemic… Available exclusively for download via Bandcamp only through June 2020 [VIEW] The COVID-19 pandemic is having a devastating effect on the jazz community, leaving countless musicians to face … They come at a time when the form has its sights set in the rearview mirror, when most young artists are "trying to sound like they peaked in 1942 or 1957," says Carrington. Alumni of Miles Davis' second great quintet, the two men pioneered fusion starting in the 1970s, walking paths that brought them to audiences for commercial music. Spalding groeide op in de King-buurt van Portland, een buurt die ze zelf een "getto" en "behoorlijk beangstigend" noemde. A culmination of Spalding's work and influences to date, this is funk at its most serious-minded and compositional. A native of Portland, Ore., Spalding played classical violin as a child and gigged in an indie band on bass as a teenager. During the press party for Chamber Music Society, I remember overhearing one critic complain to another, "Well, she's no Paul Chambers," referring to the muscular Detroit bassist on some of Miles Davis' most famous albums. And if you're saying that the bass cannot sound like a butterfly, that's bulls***.". Bassist Esperanza Spalding is one of the most talked-about artists in jazz today. Spalding wuchs in Portland, Oregon, auf. But the upset was less shocking for the vitriol of spurned Beliebers— of which there was plenty — than as the first and only time the award has been given to someone who self-identifies as jazz artist. Junjo by Esperanza Spalding, released 06 June 2005 1. Acclaimed, Grammy-winning jazz bassist and vocalist with an ambitiously cross-pollinated sound. Esperanza Spalding performs at the 2011 Montreux Jazz festival in Switzerland. "That really ticks me off," Carrington responds, knowing there's no way to compete with dead legends. It is the foundation of any band: its rhythmic and harmonic center of gravity, its anchor. It was also at age 15 that she returned to public school. At the same time, she's also shown her capacity to operate irrespective of its borders, an unusual achievement irrespective of her gender. In a series of five albums called The Art of the Trio, the pianist _____ brought a powerfully meditative approach to pop standards, jazz, classics, and original pieces. Spalding appeared as a guest on Janelle Monáe's 2013 album The Electric Lady and Bruno Mars' 2012 Unorthodox Jukebox. Prince invited her to jam, and she played on his BET Lifetime Achievement Award tribute and opened for him on tour in 2011. When we see Esperanza Spalding playing her instrument as she sings, in front of her own band, in the context of the new musical worlds she has created, we bear witness to a woman who is so completely in control of her own context that she dwells at the foundation on which it stands. That fusion was already audible in Esperanza's funky bass lines, but has taken off in her later projects as she has come into the orbit of black popular musicians. Two years later, she released Esperanza (on Heads Up Records), which proved a critical and commercial success. Hailed as a prodigy in her teens, Spalding garnered wider attention in the 2000s with the release of her debut, Junjo, and its follow-up, Esperanza, the latter of which topped the contemporary jazz charts. Spalding has undeniably made her mark within that male-dominated, musically conservative field. "Bringing a more feminine aesthetic into the music is mandatory at this point. The 25 arguments writers make in these pieces challenge the usual definitions of influence. She also began playing locally, and studying privately with noted Portland jazz artists Ron Steen, Thara Memory, Darrell Grant, and others. Born in 1984, bassist, singer and composer Esperanza Spalding began playing in small jazz and blues venues around her hometown of Portland, Oregon. ", "If we go back in the music's history," explains Carrington, who is well-versed in women's struggles in jazz, "there are very few people who are accomplished in all of the areas that Esperanza is. Acclaimed bassist, vocalist and composer Esperanza Spalding and pianist and composer Fred Hersch are set to release Esperanza Spalding & Fred Hersch: Live at the Village Vanguard – Rough Mix EP. Sie wechselte zu diesem Instrument … Leaving Portland, she transferred to the Berklee School of Music in Boston, where she graduated in 2005 and was subsequently hired as an instructor, becoming the school's youngest faculty member at age 20. Perazela “Ace of Bass!” Boston Globe “She communicates her upbeat personality in everything she plays. Made visible, hers is leadership that cannot be denied. It's both absurd and completely predictable that Spalding's unconventional excellence would be threatening to those who would uphold the status quo through the bass. In jazz's time-honored apprentice system, "sidemen" ready themselves by playing in the bands of more seasoned leaders, ranks that women can still find challenging to enter. Hailed as a prodigy in her teens, Spalding garnered wider attention in the 2000s with the release of her debut, Junjo, and its follow-up, Esperanza, the latter of w…. No one expected her to win, least of all herself. At times, they've grumbled that her music is too immature or too accessible (read: too playful and too joyful), a stance so predictable that it says more about the intractability of critics than the music. the Berklee College of Music. Photo Illustration: A163/Gamma-Rapho via Getty Images and Angela Hsieh/NPR, The 200 Greatest Songs By 21st Century Women+. If Spalding assembled her musician's toolkit by mastering classical music, jazz and its Afro-Latin counterparts, she came into her own by threading those influences through the R&B she heard on the radio when she was a kid: Sam Cooke; Smokey Robinson; Earth, Wind & Fire. She is definitely headed for a great career, and it will be soon.” For example, Spalding's "Good Lava" from Emily's D+Evolution demands that we "See this pretty girl, watch this pretty girl flow"; grungy guitars mirror bass in shape-shifting, Tetris-like configurations punctuated by ear-popping, overdubbed vocals (think "Bohemian Rhapsody"). Because Paul Chambers didn't get around the instrument the way she does. Esperanza Spalding Is The 21st Century's Jazz Genius The ways in which Spalding's music is the most radical are perhaps the most easily ... pianist … bass & vocals: Esperanza Spalding drums: Otis Brown piano: Leo Genovese guitar: Ricardo Vogt Body and Soul Today (May 29), singer/bassist/composer Esperanza Spalding and pianist/composer Fred Hersch have released a five-song EP, Esperanza Spalding & Fred Hersch: Live at the Village Vanguard … Read More “Esperanza Spalding and Fred Hersch Release Limited-Edition Benefit EP” This series of essays takes on another task. So she's not digging in as hard; it gives her a kind of fleeting emotion that is beautiful. In addition, it became the best-selling album by a new jazz artist internationally during 2008. She's a virtuosic bass player. She performed on vocals, piano, electric organ, electric bass and bass drum. Bassist and singer Esperanza Spalding is a Grammy-winning performer with an ambitiously cross-pollinated approach to contemporary jazz. Our 25 Most Influential Women Musicians of the 21st Century illuminate its complexities. By John Colapint o. Spalding, instead, has more in common with two of jazz's greatest living composers: pianist Herbie Hancock and saxophonist Wayne Shorter, co-founder of the superband Weather Report. Similarly, few have traversed such diverse stylistic terrain at such a young age, a feat Spalding has accomplished in spite of being policed by jazz purists. And it's tempting to write that she does everything Paul Chambers did except backwards and in high heels, because it's still gratifying to see women shredding ferociously on this instrument. Cantora de Yala 8. Mompouana 5. Spanning breezy R&B grooves (“I Know You Know”) and harder-swinging sounds (“She Got to You”), Spalding’s original compositions also signalled the presence of a major talent. This year, Turning the Tables considers how women and non-binary artists are shaping music in our moment, from the pop mainstream to the sinecures of jazz and contemporary classical music. The debut recording by acoustic upright bassist and vocalist Esperanza Spalding, a native of Portland, OR, residing in Boston, MA, is an exercise in joy and freedom.Well rendered for such a very young musician, it's quite notable, considering the certainty of her concept and clarity of her vision. Each guest-star … The Turning the Tables project seeks to suggest alternatives to the traditional popular music canon, and to do more than that, too: to stimulate conversation about how hierarchies emerge and endure. Nathan East Describes What It's Like to Perform at the White House, Map to the Treasure: Reimagining Laura Nyro. Brad Mehldau. Esperanza Spalding’s fierce talent in double bass and vocal work earned her a Grammy in 2011 for Best New Artist, making her the first jazz musician and one of only four Oregonians to ever win that award. Bassist and singer Esperanza Spalding is a Grammy-winning performer with an ambitiously cross-pollinated approach to contemporary jazz. She burst onto America’s jazz music scene with the release of her debut album Junjo in 2006, receiving favorable reviews from the likes of the New York Times’ critic Ben Ratliff. At the beginning of her career, Spalding recently told me by phone, she was considered "a hot — hey, I'm still hot — brown lady of indeterminate ethnicity. That Spalding can sing with power and spirit while refusing to operate from a place of emotional want represents an enormous psychic shift within jazz, bringing the music in line with contemporary women's values. She completed a GED and enrolled in classes at Portland State University, where she earned her B.A. Spanning breezy R&B grooves (“I Know You Know”) and harder-swinging sounds (“She Got to You”), Spalding’s original compositions also signaled the presence of a major talent. Esperanza Spalding further developed her talents at. She immediately connected with the instrument, and at age 16 again left school to focus on music full time. Bassist/vocalist Esperanza Spalding and pianist Fred Hersch recorded a 2018 run at New York’s Village Vanguard, and a five-song digital EP derived from the engagement is aiming to raise funds for Jazz Foundation of America’s COVID-19 Musicians’ Emergency Fund. By the time she was 15, Spalding had been named the ensemble's concertmaster violinist. Esperanza Spalding performs at the 2011 Montreux Jazz festival in Switzerland. Portland, Oregon-born jazz singer, bassist, and cellist Esperanza Spalding displayed prodigious talents from an early age playing violin with the Chamber Music Society of Oregon. Spalding’s history with Lovano includes her membership of his two-drummer Us Five group, which took DownBeat’s 2010 critics award for best jazz group. Some rethink the building legacies of popular artists; others celebrate those who create within subcultures, their innovations rippling outward over time. Radio Music Society featured a guest appearance by Lalah Hathaway; Q-Tip produced a pair of its tracks. Soon after picking up the acoustic bass at the late age of 14, she helped form Noise For Pretend, an eclectic band fusing jazz and pop for which she sang and played bass (often simultaneously). Her lyrics are poetry. Acclaimed, Grammy-winning jazz bassist and vocalist with an ambitiously cross-pollinated sound. The album topped Billboard's Contemporary Jazz Albums chart, where it remained for over 70 weeks. The piano trio features pianist Aruán Ortiz, Francisco Mela on drums and then 22-year-old Spalding on upright bass, and providing vocals –often wordless– on all but two tracks. But unlike these instruments, the bass is not optional. To claim the bass is to take on a role and occupy a register, one where we may have been blind to women's absence (such that it's easier to accept Meghan Trainor or Nicki Minaj adopting "bass" as a sexual innuendo than to envision a woman commanding the instrument). She chooses not to perform desire or longing, themes that fuel the most deeply held stereotypes of jazz women as singers who simply emote rather than perform with technical skill. In August 2010, Spalding returned with Chamber Music Society, a more stylistically expansive production that found her straddling the line between contemporary modern jazz, R&B, and Brazilian traditions. ‎Bassist and singer Esperanza Spalding is a Grammy-winning performer with an ambitiously cross-pollinated approach to contemporary jazz. Esperanza Spalding’s music. Esperanza Spalding; Exposure. He did not sound like a butterfly. And, with its echoes of Joni Mitchell, "Earth to Heaven" splays a broken chorus across voices, guitars, bass and keyboards, interrupting serpentine melodies. It was released on 18 April 2006 on the Spanish label Ayva Music. Junjo is the debut album by American bassist and vocalist Esperanza Spalding. Drummer, composer and producer Terri Lyne Carrington, who first met Spalding during those early Berklee years, prefers a different term: "I call her a genius every chance I get. Away from teaching, Spalding enjoyed a burgeoning performance career, leading her own trio and working with a host of artists including Joe Lovano, Patti Austin, Michel Camilo, Charlie Haden, Regina Carter, Pat Metheny, Dave Samuels, and many others. But the ways in which Spalding's music are truly the most radical are perhaps the most easily overlooked: how her approach to singing and the substance of her playing challenge gender norms across styles. She scored a surprise win for Best New Artist at the 2011 Grammy … Haar moeder, die Esperanza en haar broer opvoedde als alleenstaand moeder, was een onafhankelijke, hardwerkende vrouw. in just three years. The Peacocks 2. Her self-described "f*** it, whatever" attitude, the result of having already faced down a lifetime of low expectations, has served her well. It can't be abandoned for the microphone or dismissed as an accessory. Biografie Jeugd. Photo Illustration: A163/Gamma-Rapho via Getty Images and Angela Hsieh/NPR She didn't exactly come out of nowhere. There, she joined the school band and first began playing the acoustic double bass.

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