Her first marriage (1931–1938) was with the cosmetics sales agent Enrique Álvarez Alatorre. María de los Ángeles Félix Güereña (* Álamos, 1914 mara 8 uru Yapu apthapi phaxsin - Mïxiku marka, 2002 mara 8 uru Yapu apthapi phaxsin yuriwi) Mïxiku jacha marka yäpari & q'uchu arsuyaña.. Awki: Bernardo Félix Flores, Tayka: Josefina Güereña Rosas. Félix met Berger in the 1940s, when they were both married. [43], Since Félix's death, these jewelry pieces have been displayed as part of The Art of Cartier Collection in several museums around the world. After a brief romance, the couple married in 1931. While visiting his son in Mexico City, where he lived with his mother, Álvarez refused to return him to Félix, taking him to Guadalajara. Her last film shot entirely in Europe was the Spanish film Faustina.[15]. After a brief romance, the couple married in 1953, transmitted by radio to all Latin America, held at the House of Catipoato in Tlalpan. Félix María Zuloaga Trillo né le 31 mars 1813 à Álamos, Sonora, Mexique et décédé le 11 février 1898 à Mexico, Mexique, est un homme d'État. Félix developed a friendship with him and his wife, Frida Kahlo. Félix returned to Mexico in 1955. On the contrary, we were friends and always treated each other with great respect, each with our own personality. Enrique Álvarez Félix was the son of Mexican actress María Félix. In the same year Félix returned to Mexico. Along with Pedro Armendáriz and Dolores del Río, she was one of the most successful figures of Latin American cinema in the 1940s and 1950s. So, it appears, María Félix was my tía política [aunt-in-law]. For the film, another actress (Isabela Corona) was already hired, but when Gallegos first saw Félix, he was charmed by her and said: "Here is my Doña Bárbara!" María's friends keep claiming that it was crazy. Carlos Fuentes did the same in the novel Zona sagrada. First, in 1982, with the film Toña Machetes, and again in 1986 with the film Insólito resplandor. In 1951, she filmed the French-Spanish production La Couronne Noire directed by Luis Saslavsky based on a story by Jean Cocteau. [citation needed], Félix was married four times. In 1948 she was contracted by the Spanish film producer Cesáreo González. Both characters required a great dramatic intensity. "[19] The unexpected death of Enrique from a heart attack in 1996 affected Félix greatly. In 2018, Google celebrated Felix's 104th birthday with a Google Doodle. エンリケ・アルバレス・フェリックス. One day there was a bricklayer fixing my house, and I sent him to put white to cover a bit of everything and that's how it was. Elle a été mariée quatre fois, d'abord à trois Mexicainsː Enrique Álvarez avec qui elle eut son seul enfant (Enrique Álvarez Félix 1934-1996), le chanteur Agustín Lara, qui composa en son honneur plusieurs chansons (dont Maria Bonita, Aquel Amor, Noche de Ronda), le chanteur Jorge Negrete, et enfin le millionnaire français Alex Berger. [4], María de los Angeles Félix Güereña was born in Álamos, Sonora, Mexico on 8 April 1914. Félix married 4 times; the first time to Álvarez Alatorre (1931-38). Years later, Enrique returned to Mexico and started a career as an actor in film and television. María Félix pe numele întreg María de los Ángeles Félix Güereña, (n. 4 mai 1914, Álamos, Sonora, Mexic – d. 8 aprilie 2002, Ciudad de México, Mexic) a fost o actriță, fotomodel și cântăreață mexicană.Alături de Pedro Armendáriz și Dolores del Río, a fost una dintre cele mai pline de succes actrițe din cinematografia Americii Latine a anilor 1940 și 1950. María Félix ( Book ) 3 editions published ... Enrique Álvarez Félix Mexikanischer Schauspieler. 1952–1953 között Jorge Negrete (1911–1953) mexikói színésszel alkotott egy párt. The couple began a highly publicized relationship, which culminated in marriage in 1945. Prix Yacowlef (1973), Prix Morny (1973), Prix de la Salamandre (1973), Prix Jacques Le Marois (1974) et Prix du Rond Point (1974). She appeared in almost 50 movies made in Mexico, Spain, France, Italy and Argentina. [citation needed], Her fourth marriage (1956–1974), was with the Romanian-born French banker Alexander Berger. María de los Ángeles Félix Güereña (Spanish: [maˈɾia ˈfeliks] (8 April 1914 – 8 April 2002) was a Mexican actress and singer. She tried becoming a mother again, but an accident during a filming in 1957 caused Félix to lose the child. #LaDoña y su hijo Enrique Álvarez Félix en el Festival de Cine de Venezia, 1954. Becoming her "Pygmalion", he began to train her and present her in film circles. Later, the director Robert Aldrich sent her the script of The Legend of Lylah Clare, but she did not reach an agreement with the director and Kim Novak got the role. She made only one more film in Mexico (Doña Diabla, 1949) until her return in 1952. Other renowned artists who recorded Félix in their canvases were the Surrealists Leonor Fini, Leonora Carrington, Remedios Varo and Bridget Tichenor[41] among others. Lo vendí, muy mal vendido por cierto”. Félix, Enrique Alvarez, m. 1996 . [45], Learn how and when to remove this template message, "María Felix: La bella actriz que despreció a Hollywood y a sus indias cheyennes", "María Félix, 87, Feisty Heroine Who Reigned Supreme in Mexican Cinema, Dies", "Maria Felix: 10 datos intimos de la diva del cine mexicano", "El horrible castigo de María Félix a su hijo tras descubrirlo vestido de mujer", "Raul Prado, fundador del Trío Calaveras", "A los 88 años falleció la actriz mexicana María Félix", "47 mitos de la leyenda llamada María Félix", "María Félix y la historia de cómo le rompió el corazón al argentino Carlos Thompson", "Pasión, orgullo y un corazón roto: la fallida boda entre María Félix y Carlos Thompson", "Frede, la amante de Marlene Dietrich y reina de las lesbianas de París", "Conociendo a... María Félix. However, the most important film of Félix in this period was French Cancan (1954) directed by Jean Renoir with the legendary French actor Jean Gabin. [31][34], In 1953, when Félix returned to Mexico after her stay in Europe and Argentina, she was reunited with an "old enemy": the actor and singer Jorge Negrete. Annexes Notes et références. The relationship between Félix and Fernández was cordial and smooth, despite the strong and famous temperament of the film director. "María Bonita" would become one of Lara's most popular Lara songs. Les deux femmes ont habité ensemble à l'hôtel George-V, et Frede a suivi María Félix sur ses tournages à Buenos Aires et São Paulo. While she was in France, Hollywood offered her the female role of Duel in the Sun, but she passed and the part went to Jennifer Jones. Enrique Álvarez Félix was born on April 6, 1934 in Guadalajara, Jalisco, Mexico. The House of Hermès (Couture Department) designed extravagant creations just for her. Serna added, "At one point she told me: 'Write what you want about me, because they believe anything about me. When his parents divorced in 1938, his mother lived for a time at home with her own parents until 1939, when she traveled with Enrique to Mexico City. The La Doña de Cartier Collection also includes jewelry, accessories, and handbags. The relationship was captured in a painting made by Fini of a plant with two flowers; one had the face of Félix and the other Frede's. To pay tribute to the actress, in 2006 Cartier debuted its La Doña de Cartier collection. Enrique Álvarez Félix (1934–1996) María Félix (lahir dengan nama María de los Ángeles Félix Güereña di Álamos, Sonora, Meksiko, 8 April 1914 – meninggal di Ciudad de México, Meksiko, 8 April 2002 pada umur 88 tahun) adalah aktris film berkebangsaan Meksiko. In Enamorada, María Félix found her perfect film partner, the actor Pedro Armendáriz. Her relationship with Fuentes was terminated when the author made the play Orchids in the Moonlight, in which he parodies the figures of Félix and Dolores del Río. In 1959 she played the titular role in The Soldiers of Pancho Villa with top billing lead Dolores del Río. The most prominent were Juana Gallo (1960), La bandida (1963), Amor y sexo (Sapho '63, 1963)), and La Valentina (1966). She completed a film career that included 47 films made in Mexico, Spain, France, Italy and Argentina. During her childhood, she had a close relationship with her brother Pablo. María … Entre 1942 et 1971, elle joua dans quarante-sept films, au Mexique, en France et en Italie. Years later Félix was able to get her son back with the help of her second husband, Agustín Lara.[8]. Toutes les informations de la Bibliothèque Nationale de France sur : María Félix (1914-2002) Félix was a fan of Lara since her adolescence. She made her first appearance in the "White and Black Ballroom" of the Mexico City Country Club where some of the great Mexican movie stars of the era (Esther Fernández, Lupe Vélez, Andrea Palma) gathered. [27], After her second divorce, Félix had romances with some well-known men, such as Mexican aviation entrepreneur Jorge Pasquel, Spanish bullfighter Luis Miguel Dominguín, and Argentine actor Carlos Thompson. When his parents divorced in 1938, his mother lived for a time at home with her own parents until 1939, when she traveled with Enrique to Mexico City. Félix said that Lara even tried to kill her in a fit of violent jealousy. La star tourne particulièrement avec Emilio Fernández et a pour partenaires des vedettes internationales : Pedro Armendáriz, Fernando Rey et Antonio Vilar. [25] It was cited by TVyNovelas as one of the "myths" surrounding Félix. However, the relationship ended in 1947 due to Lara's jealousy. [citation needed]. She was refined, interesting, gentle on the deal, and I'm energetic, arrogant and bossy."[39]. My legend began to take shape without moving a finger. He was the son of Mexican actress María Félix and her first husband, Enrique Álvarez Alatorre. The exhibition includes a wide collection of cinematic costumes and couture gowns that once belonged to the actress. However, during filming, Félix received a call from director Emilio Fernández to offer her the leading role in The Rapture, which Félix accepted, telling Thompson that after filming of La pasión desnuda ended she would return to Mexico to promote the film and announce their future marriage. In the 1960s Félix's presence in the cinema was limited to only a few films. De la fin 1950 au printemps 1954, María Félix a aussi vécu un amour passionné avec Suzanne Baulé dite Frede, qui dirigeait alors le cabaret « Le Carroll's », rue de Ponthieu à Paris. La reina de los hipódromos", Estate of María Félix: La Doña totals $7.3 million, "Maria Felix's Cartier crocodile necklace 1975", "La Dona de Cartier Watch - Fiery Reptile Created to Seduce Watches Channel", "MUSICA/CANTO RODADO: María Félix, "Enamorada, https://en.wikipedia.org/w/index.php?title=María_Félix&oldid=992484055, Commandeurs of the Ordre des Arts et des Lettres, Short description is different from Wikidata, Articles needing additional references from May 2018, All articles needing additional references, Articles needing additional references from April 2018, Articles with unsourced statements from June 2019, Articles with unsourced statements from May 2018, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Wikipedia articles containing unlinked shortened footnotes, Creative Commons Attribution-ShareAlike License, This page was last edited on 5 December 2020, at 14:29. [40] Félix met the famous Mexican artist Diego Rivera during the filming of Río Escondido (1947). She concluded her working relationship with Cesáreo González with the film Camelia filmed in her native country. ", Palacios finally persuaded her to break into the movies. [17] He fathered her only child, actor Enrique Álvarez Félix. We were completely different. Their first collaboration was in La diosa arrodillada (1947) with Arturo de Córdova. The result was a completely articulated serpent made out of platinum and white gold and encrusted with 178.21 carats (35.642 g) of diamonds. The wristband of the watch resembles the contours of a crocodile in large, bold and gold scales. Egy gyermekük született: Enrique Álvarez Félix (1935–1996) színész. During her life, Félix was a model for many renowned painters. In her second film, María Eugenia, Félix would be projected in a role out of her temperamental film personality. En 1959, plus active que jamais, la star s'illustre dans Sonatas de l'Espagnol Juan Antonio Bardem, au côté de Francisco Rabal dans La Cucaracha d'Ismael Rodríguez avec une autre icône mexicaine : Dolores del Río, et dans un autre sommet de sa carrière internationale : La fièvre monte à El Pao de Luis Buñuel aux côtés de Gérard Philipe. María Félix est une actrice mexicaine, née le 8 avril 1914 à Álamos (Mexique), et morte le 8 avril 2002 à Mexico. Soon after, her ex-husband took Enrique. Negrete was already ill when the marriage took place, and died eleven months later at a hospital in Los Angeles, California, while Félix was in Europe shooting La Belle Otero. En 1951, María Félix interprète deux films en Europe : La Couronne noire de Luis Saslavsky sur une histoire de Jean Cocteau aux côtés des Italiens Rossano Brazzi et Vittorio Gassman, et Messaline de Carmine Gallone face au Français Georges Marchal. Her first marriage (1931–1938) was with the cosmetics sales agent Enrique Álvarez Alatorre. '"[20], Her second marriage (1945–1947) was to the famous Mexican composer Agustín Lara. Félix's relationship with her son was distant in his early years because she sent him to schools abroad "to discipline" him. Elle se spécialise dans le (mélo)drame romantique, souvent métissé d'aventures, parfois inspiré de Stefan Zweig, Pierre Benoit, Alexandre Dumas fils ou Vicente Blasco Ibáñez. He's my best friend. In fashion, Félix was dressed by designers like Christian Dior, Givenchy, Yves Saint Laurent, Chanel, and Balenciaga. I sold it, very badly sold by the way ". L'idole revient à son public hispanique, jouant notamment avec Carlos Thompson en Argentine et retrouvant Emilio Fernández pour Reportaje (1953) où elle incarne... une star de cinéma. Félix was married four times. Fidèle à son principe d'alternance, l'actrice revient à des compositions mexicaines, notamment dans Faustina (1957), une adaptation libre du Faust de Goethe et dans une seconde adaptation de Vicente Blasco Ibáñez avec Jack Palance. He has his own career, his audience, his poster and assumes his responsibilities without relying on me. Doña Bárbara was to be the start of her major collaborations with the Mexican film director Fernando de Fuentes. María Félix enchaîne avec Les héros sont fatigués (1955) face à un autre monstre sacré : Yves Montand. [36] Berger died in 1974 of lung cancer months after the death of María's mother, which plunged her into a deep depression. Leur violente rupture, en 1954, a donné lieu à un procès, María Félix voulant reprendre des bijoux qu'elle avait offerts à Frede et l'accusant de vol. The La Doña de Cartier watch with reptilian links was created to impress by its wild look. Félix lost her lawsuit, and Frede was acquitted and kept the jewellery. Elle ne fut jamais célèbre aux États-Unis pour avoir refusé d'y jouer de petits rôles et avoir perdu le rôle de Pearl Chavez dans Duel au soleil, prévu pour elle; pour des questions de planning, elle fut remplacée par l'Américaine Jennifer Jones. Neither project crystallized, and Félix never reappeared in film. Some of her horses won major international equestrian awards. Un día estaba un albañil arreglando mi casa, y le mandé a poner blanco para tapar un poco todo aquello y así quedó. This movie was filmed in Venezuela with Mexican and Venezuelan actors. This channel was generated automatically by YouTube's video discovery system. Sale of the apartment that belonged to Enrique Álvarez Félix. Translated- “I've never liked Rivera's painting, I told him. This cycle begins with La Escondida (1955). La date de naissance de María Félix est sujette à controverse. She preferred to begin her career in her own country. [6], Later, the Félix family moved to Guadalajara. Later years Diego Rivera asked to borrow the painting to be displayed as part of a retrospective on Rivera's work, but Félix refused. Years later they met again. María de los Ángeles Félix Güereña, known as María Félix (Spanish: [maˈɾi.a ˈfeliks]; 8 April 1914 – 8 April 2002), was a Mexican film actress and singer. The same happened with the film La china poblana (1943), where Félix claimed to have paid a debt of gratitude to her discoverer Fernando Palacios, who directed the film. Without her stereotyped role of a "femme fatale", María Félix filmed two sophisticated films: El monje blanco (1945), directed by Julio Bracho, and Vertigo (1946), directed by Antonio Momplet. To overcome this depression, she developed a new passion: horses. She was a noted collector of fine antiques, favoring pieces like her famous collection of Second French Empire furniture. Después, Diego quería ese retrato para una exposición en Bellas Artes, pero como no se lo presté, me dejó de hablar más de un año. In the film El Peñón de las Ánimas, Félix starred opposite the popular Mexican actor and singer Jorge Negrete. Lara immortalized Félix in a number of songs, such as "Humo en los ojos" ("Smoke in the eyes"), "Cuando vuelvas" ("When you come back"), "Dos puñales" ("Two daggers"), "Madrid" and especially the famous theme "María Bonita", composed in Acapulco during their honeymoon. Félix, Enrique Alvarez, d. 1996. Languages. Vous pouvez partager vos connaissances en l’améliorant (comment ?) He died on May 24, 1996 in Mexico City, Distrito Federal, Mexico. Félix had a brief romance with Cau. La dernière modification de cette page a été faite le 8 novembre 2020 à 11:00. He was the son of Mexican actress María Félix and her first husband, Enrique Álvarez Alatorre. However, they would violently break-up for good in 1954, leading to a trial in which Félix wanted to take back jewellery she had given to Frede and accused her of theft. Maria Félix did not like the painting and she sold it to Juan Gabriel for 15 Million Pesos. La superbe María Félix s'impose comme une icône dans son pays dès son premier film en 1943. Félix was married four times. Félix and de Fuentes filmed together another two films: La Mujer sin Alma (1944) and La Devoradora (1946). Enrique Álvarez Félix: Premis (1951) Ariel Award for Best Actress (en), per l'obra The Devil Is a Woman (en) (1949) Ariel Award for Best Actress (en), per l'obra Río Escondido (en) (1947) Ariel Award for Best Actress (en), per l'obra Enamorada (en) oficial de l'orde de les Arts i les Lletres Legió d'Honor Comanador de les Arts i les Lletres; Signatura . La date de naissance de María Félix est sujette à controverse. Félix's son was recovered with the help of Agustín Lara, her second husband. When his parents divorced in 1938, his mother lived for a time at home with her own parents until 1939, when she traveled with Enrique to Mexico City. I have so much fun with him. Félix, Enrique Alvarez -1996. Serna, who also interviewed Félix, said "On our first meeting I asked her about her marriage to Raúl Prado (which she denied until the end), the member of the Calaveras trio who sang in Jorge Negrete's films, and she told me that if I was going to go on with those lies, we were not going to be able to work on the book." Elle a été élevée dans un couvent à Pico Heights, en Californie. She was known for the title role of Doña Bárbara (1943). [9], One afternoon after work when walking down the street in Mexico City, director and filmmaker Fernando Palacios approached her asking if she wanted to make movies. In 1959 she performed in the Spanish-Mexican co-production Sonatas directed by Juan Antonio Bardem and the French-Mexican co-production La Fièvre Monte à El Pao, directed by Luis Buñuel. In her adolescence she was painted in Guadalajara by José Clemente Orozco, but Félix said: He paint me like a make-up skull. [16] Another proposal was The Barefoot Contessa with Humphrey Bogart, but she refused it, instead making La Belle Otero in France. This period of her career was characterized by performing films inspired by the Mexican Revolution. After a quick courtship they got married and shortly after they divorced. Jan 26, 2014 - María Félix with her son Enrique Alvarez Felix, Life Magazine. "[21] In his book about Félix María Félix: 47 pasos por el cine, Paco Ignacio Taibo I wrote about the marriage as factual, saying "While filming this movie, María would meet Raúl Prado, a member of the Los Calaveras trio. Soon after, her ex-husband took Enrique. Thanks to these films, María Félix's fame crossed the Atlantic. There are conflicting rumors that, in between her marriages to Enrique Álvarez and Agustín Lara, Félix had a brief marriage to Raúl Prado, member of the Trío Calaveras, but no concrete evidence has emerged that the marriage ever took place. "[22][23] Prado's obituary on the Spanish newspaper El País in April 1989 reported the marriage as factual,[24] as did some obituaries of Félix's, such as the one in Argentine newspaper La Nación, the latter which only cited "a biography" as a source. Finally, thanks to Palacios, she was offered the female lead role in a film by Grovas Productions: El Peñón de las Ánimas, directed by Miguel Zacarías.[10]. 1956–1974 között Alex Berger volt a házastársa. Ava Gardner ended up with the part. [3] She was known as La Doña, a name derived from her character in the film Doña Bárbara (1943), and María Bonita, thanks to the anthem composed exclusively for her, as a wedding gift by her second husband, the Mexican composer Agustín Lara. In 1970 she filmed La Generala, which would be her last film. [citation needed] During the filming of this movie Félix suffered an emotional shock: her father died of a heart attack in Navojoa. Enrique Álvarez Félix was the son of Mexican actress María Félix and her first husband, Enrique Álvarez Alatorre. Self-employed, fight like being independent. Il fut durant la Guerre de Réforme, président du gouvernement conservateur et chef des armées [1], [2. María Félix a perdu son action en justice, et Frede a conservé les bijoux[1]. She was more commonly known, particularly in her later years, by the honorific La Doña. The public imagination did everything for me.[12]. In this film, as well as in stories like Canasta de cuentos mexicanos (1955) and Café Colón (1958), she worked again with Pedro Armendáriz. They later divorced. [citation needed], Her last romantic relationship was the Russian-French painter Antoine Tzapoff. Qusannaka: Enrique Álvarez (1931–1938)/ Agustín Lara (1945–1947) / Jorge Negrete (1952–1953) / Alex Berger (1956–1974) Her stay in Mexico was mainly based on her marriage to the actor and singer Jorge Negrete,[13] her former film rival, with whom she filmed El rapto, directed by Emilio Fernández, Negrete's last film. Enrique Álvarez Félix was born in 1934 in Mexico. However, once in Mexico, Felix canceled the wedding days before it would take place, stating that she concluded that the only thing that united her to Thompson was a mere physical attraction and not true love. Between the films with Fernández, María Félix also worked with Roberto Gavaldón, another director who showcased some of her best performances. Elle tourne ensuite, encore quelques films dans son pays, dont Amor y sexo (1964) de Luis Alcoriza (adaptation du roman Sapho d'Alphonse Daudet), et se retire en 1971. Her birth was registered on 4 May, which was later misreported as her date of birth. Félix met Thompson in Argentina in 1952 during the filming of Luis César Amadori's La pasión desnuda, and the relationship was reportedly serious to the point that they became engaged to be married, and Félix even called for her son Enrique Álvarez Félix to meet his potential stepfather. María Félix and Jorge Negrete got off to a bad relationship during the filming because he had asked that his girlfriend, the actress Gloria Marín, be given the lead role. According to journalist Sergio Almázon, once she found her son wearing a white dress and necklace. Later, Diego wanted that portrait for an exhibition in Fine Arts, but since I did not lend it to him, he stopped talking to me for more than a year. For this reason the filming of the movie was difficult and led to a direct confrontation between Félix and Negrete. He was the son of legendary Mexican actress, María Félix, and her first husband, Enrique Álvarez. Infuriated, she beat him unconscious. This is one of the most carefully protected chapters of the star's life. [37] Félix kept her horses for 11 years. Her mother was Josefina Güereña Rosas. [30] From the end of 1950 to the spring of 1954, Félix also had a passionate same-sex affair with Suzanne Baulé, better-known as Frede, who at the time ran the cabaret Le Carroll's on Rue de Ponthieu in Paris, and the two women lived together at the Hotel George-V. Félix debuted in the European cinema in Spain, with the film Mare Nostrum (1948), directed by Rafael Gil. Telenovelas. He fathered her only child, actor Enrique Álvarez Félix. Luis Spota was inspired by her life for his novel The Empty Star, and Félix even starred in the film version in 1958.
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