When his parents divorced in 1938, his mother lived for a time at home with her own parents until 1939, when she traveled with Enrique to Mexico City. Mexican writer Enrique Serna interviewed the last survivor of the trio, Miguel Bermego, who told him he was a witness to the wedding. Félix was known as La Doña for her role in the movie Doña Bárbara (1943), based on the like-named novel by the Venezuelan writer Rómulo Gallegos. She completed a film career that included 47 films made in Mexico, Spain, France, Italy and Argentina. Enrique Álvarez Félix was born in 1934 in Mexico. Félix had a brief romance with Cau. Soon after, her ex-husband took Enrique. The La Doña de Cartier Collection also includes jewelry, accessories, and handbags. En 1959, plus active que jamais, la star s'illustre dans Sonatas de l'Espagnol Juan Antonio Bardem, au côté de Francisco Rabal dans La Cucaracha d'Ismael Rodríguez avec une autre icône mexicaine : Dolores del Río, et dans un autre sommet de sa carrière internationale : La fièvre monte à El Pao de Luis Buñuel aux côtés de Gérard Philipe. 1952–1953 között Jorge Negrete (1911–1953) mexikói színésszel alkotott egy párt. Lara wrote many songs just for Félix, including classics such as Humo en los Ojos, and El Chotiz Madrid and the very famous María Bonita, but the marriage didn’t last very long and the couple went their separate ways in 1… Years later, Enrique returned to Mexico and started a career as an actor in film and television. [7] For that reason, Pablo was sent to the Colegio Militar, in Mexico City. He has his own career, his audience, his poster and assumes his responsibilities without relying on me. Among them they are Renato Leduc, Xavier Villaurrutia, Salvador Novo, Pita Amor, Jean Cocteau and Octavio Paz. "María Bonita" would become one of Lara's most popular Lara songs. Notices dans des dictionnaires ou encyclopédies généralistes, Festival international de films de femmes de Créteil, https://fr.wikipedia.org/w/index.php?title=María_Félix&oldid=176369314, Article de Wikipédia avec notice d'autorité, Page pointant vers des dictionnaires ou encyclopédies généralistes, Page pointant vers des bases relatives à l'audiovisuel, Page pointant vers des bases relatives à la musique, Portail:Biographie/Articles liés/Culture et arts, licence Creative Commons attribution, partage dans les mêmes conditions, comment citer les auteurs et mentionner la licence. Sep 25, 2014 - Enrique Álvarez Félix, María Félix and Jorge Negrete read. Regarding her son, Félix said: "Enrique is a very gifted man, with admirable common sense. Her birth was registered on 4 May, which was later misreported as her date of birth. In 1959 she performed in the Spanish-Mexican co-production Sonatas directed by Juan Antonio Bardem and the French-Mexican co-production La Fièvre Monte à El Pao, directed by Luis Buñuel. [citation needed]. In a later interview said “Nunca me ha gustado la pintura de Rivera, yo se lo decía a él. Enrique Álvarez Félix - Wikipedia, ang malayang ensiklopedya Without her stereotyped role of a "femme fatale", María Félix filmed two sophisticated films: El monje blanco (1945), directed by Julio Bracho, and Vertigo (1946), directed by Antonio Momplet. The same happened with the film La china poblana (1943), where Félix claimed to have paid a debt of gratitude to her discoverer Fernando Palacios, who directed the film. He was the son of Mexican actress María Félix and her first husband, Enrique Álvarez Alatorre. Leur violente rupture, en 1954, a donné lieu à un procès, María Félix voulant reprendre des bijoux qu'elle avait offerts à Frede et l'accusant de vol. [4], María de los Angeles Félix Güereña was born in Álamos, Sonora, Mexico on 8 April 1914. In 1951, she filmed the French-Spanish production La Couronne Noire directed by Luis Saslavsky based on a story by Jean Cocteau. Considered one of the most beautiful actresses of Mexican cinema, her taste for the finesse and strong personality garnered her the title of diva early in her career. María de los Ángeles Félix Güereña sutiyuq warmiqa (* 8 ñiqin ayriway killapi 1914 watapi paqarisqa Álamos llaqtapi - 8 ñiqin ayriway killapi 2002 watapi wañusqa Mishiku llaqtapi) huk Mishiku Mama llaqtayuq kuyu walltaypi aranway pukllaqmi karqan.. Tayta: Bernardo Félix; Mama: Josefina Güereña, Churinkuna: Enrique Álvarez Félix Toutes les informations de la Bibliothèque Nationale de France sur : María Félix (1914-2002) Félix was married to Berger for 18 years. [20] Prado's niece María Escalera also corroborated the marriage, saying that the marriage ended when Agustín Lara sent Félix a white piano as a gift, and "Raúl threw her out — with the piano. He was the son of Mexican actress María Félix and her first husband, Enrique Álvarez Alatorre. Félix and de Fuentes filmed together another two films: La Mujer sin Alma (1944) and La Devoradora (1946). Soon after, her ex-husband took Álvarez Félix. During her life, Félix was a model for many renowned painters. They later divorced. The La Doña de Cartier watch with reptilian links was created to impress by its wild look. After a quick courtship they got married and shortly after they divorced. [43], Since Félix's death, these jewelry pieces have been displayed as part of The Art of Cartier Collection in several museums around the world. She called both films "her beginner sins". Doña Bárbara was to be the start of her major collaborations with the Mexican film director Fernando de Fuentes. [42] Later she sold most of her jewelry back to Cartier's. Félix was married four times. She was more commonly known, particularly in her later years, by the honorific La Doña. With Gil as director, she realized another two films in 1950: Una mujer cualquiera and La noche del sábado. In 1975, she again asked Cartier to create a necklace for her, this time in the shape of two crocodiles. Her response was:[citation needed], "When I want to, it will be through the big door. Most of the rumors agree in claiming that Prado and Félix allegedly got married in 1943 after meeting on the set of The Rock of Souls and separated two months after the wedding. Her first marriage (1931–1938) was with the cosmetics sales agent Enrique Álvarez Alatorre. Sale of the apartment that belonged to Enrique Álvarez Félix. However, the film was not liked by the actress, despite her international success. To pay tribute to the actress, in 2006 Cartier debuted its La Doña de Cartier collection. "[19] The unexpected death of Enrique from a heart attack in 1996 affected Félix greatly. I sold it, very badly sold by the way ". Enrique Álvarez Félix was the son of Mexican actress María Félix and her first husband, Enrique Álvarez Alatorre. Félix was married four times. Il fut durant la Guerre de Réforme, président du gouvernement conservateur et chef des armées [1], [2. After a brief romance, the couple married in 1931. [citation needed], Her last romantic relationship was the Russian-French painter Antoine Tzapoff. In 2018, Google celebrated Felix's 104th birthday with a Google Doodle. [40] Félix met the famous Mexican artist Diego Rivera during the filming of Río Escondido (1947). Eventually she was taken to Hollywood, to the Metro-Goldwyn-Mayer Studios, where she met Cecil B. DeMille, who offered to launch her film career in Hollywood, but Félix was not interested. Serna added, "At one point she told me: 'Write what you want about me, because they believe anything about me. Enrique Álvarez Félix was the son of Mexican actress María Félix. Unlike their difficult first meeting ten years ago on the set of El peñón de las ánimas, Félix found Negrete, in her own words: "surrendered to my feet". In 1968, she commissioned a serpent diamond necklace from Cartier Paris. [28][29], During her stay in France, Félix was introduced by the painter Leonor Fini to French writer Jean Cau, assistant of the writer Jean Paul Sartre. Félix met Thompson in Argentina in 1952 during the filming of Luis César Amadori's La pasión desnuda, and the relationship was reportedly serious to the point that they became engaged to be married, and Félix even called for her son Enrique Álvarez Félix to meet his potential stepfather. [6], Later, the Félix family moved to Guadalajara. Yo quería que me pintara de Tehuana, pero él dijo que era muy vulgar, entonces me pintó como él quería… desnuda, porque él estaba muy enamorado de mí. La dernière modification de cette page a été faite le 8 novembre 2020 à 11:00. Félix developed a friendship with him and his wife, Frida Kahlo. [citation needed] During the filming of this movie Félix suffered an emotional shock: her father died of a heart attack in Navojoa. However, during filming, Félix received a call from director Emilio Fernández to offer her the leading role in The Rapture, which Félix accepted, telling Thompson that after filming of La pasión desnuda ended she would return to Mexico to promote the film and announce their future marriage. Soon after, her ex-husband took Enrique. María Félix a perdu son action en justice, et Frede a conservé les bijoux[1]. Félix's relationship with her son was distant in his early years because she sent him to schools abroad "to discipline" him. Enrique Álvarez Félix was born in 1934 in Mexico. María Félix, dont le nom complet était María de los Ángeles Félix Güereña (Alamos, 8 avril 1914 - Mexico, 8 avril 2002), Il était un 'actrice mexicain. [31] Frede followed Félix on her filming trips to Buenos Aires and São Paulo upon learning of Félix's relationship with Carlos Thompson. María Félix and Jorge Negrete got off to a bad relationship during the filming because he had asked that his girlfriend, the actress Gloria Marín, be given the lead role. Thanks to these films, María Félix's fame crossed the Atlantic. Infuriated, she beat him unconscious. However, they would violently break-up for good in 1954, leading to a trial in which Félix wanted to take back jewellery she had given to Frede and accused her of theft. Because of this situation, Félix decided to move to Mexico City with her son. Félix met Berger in the 1940s, when they were both married. Carlos Fuentes did the same in the novel Zona sagrada. He was the son of legendary Mexican actress, María Félix, and her first husband, Enrique Álvarez. She was a noted collector of fine antiques, favoring pieces like her famous collection of Second French Empire furniture. When María was 17, her beauty soon began to attract attention. María Félix ( Book ) 3 editions published ... Enrique Álvarez Félix Mexikanischer Schauspieler. La date de naissance de María Félix est sujette à controverse. Un article de Wikipédia, l'encyclopédie libre. Enrique Álvarez Félix (1934–1996) María Félix (lahir dengan nama María de los Ángeles Félix Güereña di Álamos, Sonora, Meksiko, 8 April 1914 – meninggal di Ciudad de México, Meksiko, 8 April 2002 pada umur 88 tahun) adalah aktris film berkebangsaan Meksiko. When his parents divorced in 1938, his mother lived for a time at home with her own parents until 1939, when she traveled with Enrique to Mexico City. エンリケ・アルバレス・フェリックス. Later years Diego Rivera asked to borrow the painting to be displayed as part of a retrospective on Rivera's work, but Félix refused. Elle se spécialise dans le (mélo)drame romantique, souvent métissé d'aventures, parfois inspiré de Stefan Zweig, Pierre Benoit, Alexandre Dumas fils ou Vicente Blasco Ibáñez. Her first marriage (1931–1938) was with the cosmetics sales agent Enrique Álvarez Alatorre. Les deux femmes ont habité ensemble à l'hôtel George-V, et Frede a suivi María Félix sur ses tournages à Buenos Aires et São Paulo. The films of María Félix with Fernández and his team (writer Mauricio Magdaleno, photographer Gabriel Figueroa, and Armendáriz) had strong presence in several international film festivals. I have so much fun with him. [31][34], In 1953, when Félix returned to Mexico after her stay in Europe and Argentina, she was reunited with an "old enemy": the actor and singer Jorge Negrete. [5], She was the daughter of Bernardo Félix Flores, a military officer. Annexes Notes et références. Telenovelas. In her second film, María Eugenia, Félix would be projected in a role out of her temperamental film personality. The case of the La Doña de Cartier features a trapezoid shape with an asymmetrical profile reminiscent of a crocodile's head. This is one of the most carefully protected chapters of the star's life. The Mexican historical telenovela La Constitución (1971) would be her last professional acting job. My legend began to take shape without moving a finger. She appeared in almost 50 movies made in Mexico, Spain, France, Italy and Argentina. [32] Félix and Frede's relationship was interrupted by Félix's marriage to Jorge Negrete, but upon Negrete's death in 1953, Félix returned to Paris to briefly rekindle her relationship with Frede. Caracolero, un autre bon cheval, remporta en 1974 le prix du Jockey Club. إنريكي ألفاريز ممثل مكسيكي. In fashion, Félix was dressed by designers like Christian Dior, Givenchy, Yves Saint Laurent, Chanel, and Balenciaga. Later, the director Robert Aldrich sent her the script of The Legend of Lylah Clare, but she did not reach an agreement with the director and Kim Novak got the role. One day there was a bricklayer fixing my house, and I sent him to put white to cover a bit of everything and that's how it was. He was an actor, known for Corazón salvaje (1966), Marisol (1996) and El retrato de Dorian Gray (1969). Venezuelan fashion designer Nicolás Felizola presents the María Bonita exhibition in Miami, Florida, which becomes a fashion icon. Their first collaboration was in La diosa arrodillada (1947) with Arturo de Córdova. [26] It is known that Félix vehemently denied ever having married Prado. Enrique Álvarez Félix (6 April 1934 – 24 May 1996) was a Mexican actor, he died of a heart attack on 24 May 1996. "[22][23] Prado's obituary on the Spanish newspaper El País in April 1989 reported the marriage as factual,[24] as did some obituaries of Félix's, such as the one in Argentine newspaper La Nación, the latter which only cited "a biography" as a source. [17] He fathered her only child, actor Enrique Álvarez Félix. Prix Yacowlef (1973), Prix Morny (1973), Prix de la Salamandre (1973), Prix Jacques Le Marois (1974) et Prix du Rond Point (1974). Félix attempted to return to the cinema twice. The most prominent were Juana Gallo (1960), La bandida (1963), Amor y sexo (Sapho '63, 1963)), and La Valentina (1966). [37] Félix kept her horses for 11 years. Years later Félix was able to get her son back with the help of her second husband, Agustín Lara.[8]. Say that I slept with an octopus. Félix, angry, called him "mujerujo" ("womanish"). This movie was filmed in Venezuela with Mexican and Venezuelan actors. She made only one more film in Mexico (Doña Diabla, 1949) until her return in 1952. ", Somehow, I seduced the public, even those who criticize the conduct of my characters in the films. Elle a également eu une liaison avec le peintre muraliste Diego Rivera qui voulait alors divorcer d'avec sa femme Frida Kahlo pour l'épouser. Self-employed, fight like being independent. Félix debuted in the European cinema in Spain, with the film Mare Nostrum (1948), directed by Rafael Gil. He was the son of Mexican actress María Félix and her first husband, Enrique Álvarez Alatorre. [18] Álvarez retaliated by taking their son to Guadalajara. [25] It was cited by TVyNovelas as one of the "myths" surrounding Félix. Soon after, her ex-husband took Enrique. [36] Berger died in 1974 of lung cancer months after the death of María's mother, which plunged her into a deep depression. The two crocodile bodies were made of 524.9 grams of gold, one covered with 1,023 yellow diamonds, while the other was adorned with 1,060 circular cut emeralds. [16] Another proposal was The Barefoot Contessa with Humphrey Bogart, but she refused it, instead making La Belle Otero in France. Her mother separated the two siblings, thinking they might be involved in an incestuous relationship. She tried becoming a mother again, but an accident during a filming in 1957 caused Félix to lose the child. Álvarez took the child to Guadalajara. So, it appears, María Félix was my tía política [aunt-in-law]. [citation needed], Her fourth marriage (1956–1974), was with the Romanian-born French banker Alexander Berger. Years later they met again. There are conflicting rumors that, in between her marriages to Enrique Álvarez and Agustín Lara, Félix had a brief marriage to Raúl Prado, member of the Trío Calaveras, but no concrete evidence has emerged that the marriage ever took place. ", Palacios finally persuaded her to break into the movies. Félix, Enrique Alvarez, m. 1996 . The relationship between Félix and Fernández was cordial and smooth, despite the strong and famous temperament of the film director. He fathered her only child, actor Enrique Álvarez Félix. María Félix pe numele întreg María de los Ángeles Félix Güereña, (n. 4 mai 1914, Álamos, Sonora, Mexic – d. 8 aprilie 2002, Ciudad de México, Mexic) a fost o actriță, fotomodel și cântăreață mexicană.Alături de Pedro Armendáriz și Dolores del Río, a fost una dintre cele mai pline de succes actrițe din cinematografia Americii Latine a anilor 1940 și 1950. Félix said that Lara even tried to kill her in a fit of violent jealousy. Félix married Lara in 1945 after being introduced by a common friend. María Félix est une actrice mexicaine, née le 8 avril 1914 à Álamos (Mexique), et morte le 8 avril 2002 à Mexico. This cycle begins with La Escondida (1955). She concluded her working relationship with Cesáreo González with the film Camelia filmed in her native country. Il existe un certain consensus selon lequel elle serait née le 8 avril 1910 plutôt qu'en 1914, date plus flatteuse qui figure dans son éloge funèbre du New York Times, et dont aucune preuve n'a été apportée. Félix lost her lawsuit, and Frede was acquitted and kept the jewellery. While visiting his son in Mexico City, where he lived with his mother, Álvarez refused to return him to Félix, taking him to Guadalajara. Lara immortalized Félix in a number of songs, such as "Humo en los ojos" ("Smoke in the eyes"), "Cuando vuelvas" ("When you come back"), "Dos puñales" ("Two daggers"), "Madrid" and especially the famous theme "María Bonita", composed in Acapulco during their honeymoon. It was at this time that she met Enrique Álvarez Alatorre, a salesman for the cosmetics firm Max Factor. She debuted in Italy with the film Incantesimo Tragico (1951). Chacune de ses compositions entre au panthéon cinématographique mexicain. Jan 26, 2014 - María Félix with her son Enrique Alvarez Felix, Life Magazine. This period of her career was characterized by performing films inspired by the Mexican Revolution. Elle était surnommée, surtout vers la fin de sa carrière, La Doña, « la Dame ». Félix María Zuloaga Trillo né le 31 mars 1813 à Álamos, Sonora, Mexique et décédé le 11 février 1898 à Mexico, Mexique, est un homme d'État. For this reason the filming of the movie was difficult and led to a direct confrontation between Félix and Negrete. Lo vendí, muy mal vendido por cierto”. In the same year, she filmed Messalina (1951), directed by Carmine Gallone (at the time, the most expensive film of the Italian cinema). Vous pouvez partager vos connaissances en l’améliorant (comment ?) [45], Learn how and when to remove this template message, "María Felix: La bella actriz que despreció a Hollywood y a sus indias cheyennes", "María Félix, 87, Feisty Heroine Who Reigned Supreme in Mexican Cinema, Dies", "Maria Felix: 10 datos intimos de la diva del cine mexicano", "El horrible castigo de María Félix a su hijo tras descubrirlo vestido de mujer", "Raul Prado, fundador del Trío Calaveras", "A los 88 años falleció la actriz mexicana María Félix", "47 mitos de la leyenda llamada María Félix", "María Félix y la historia de cómo le rompió el corazón al argentino Carlos Thompson", "Pasión, orgullo y un corazón roto: la fallida boda entre María Félix y Carlos Thompson", "Frede, la amante de Marlene Dietrich y reina de las lesbianas de París", "Conociendo a... María Félix. However, the relationship ended in 1947 due to Lara's jealousy. While she was in France, Hollywood offered her the female role of Duel in the Sun, but she passed and the part went to Jennifer Jones. '"[20], Her second marriage (1945–1947) was to the famous Mexican composer Agustín Lara. The exhibition includes a wide collection of cinematic costumes and couture gowns that once belonged to the actress. [31][32][33][34] Despite this, Félix held ownership of the painting Fini made of the two women, and afterwards Félix asked Fini to modify it to erase Frede's face, changing Frede's face to hers, resulting in the painting's two flowers both having Felix's face. [14], After the death of Jorge Negrete, on 5 December 1953, Félix returned to Europe. La reina de los hipódromos", Estate of María Félix: La Doña totals $7.3 million, "Maria Felix's Cartier crocodile necklace 1975", "La Dona de Cartier Watch - Fiery Reptile Created to Seduce Watches Channel", "MUSICA/CANTO RODADO: María Félix, "Enamorada, https://en.wikipedia.org/w/index.php?title=María_Félix&oldid=992484055, Commandeurs of the Ordre des Arts et des Lettres, Short description is different from Wikidata, Articles needing additional references from May 2018, All articles needing additional references, Articles needing additional references from April 2018, Articles with unsourced statements from June 2019, Articles with unsourced statements from May 2018, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Wikipedia articles containing unlinked shortened footnotes, Creative Commons Attribution-ShareAlike License, This page was last edited on 5 December 2020, at 14:29. In 1970 she filmed La Generala, which would be her last film. After a brief romance, the couple married in 1953, transmitted by radio to all Latin America, held at the House of Catipoato in Tlalpan. I wanted him to paint me Tehuana, but he said it was very vulgar, so he painted me as he wanted ... naked, because he was very much in love with me. Becoming her "Pygmalion", he began to train her and present her in film circles. Elle revient en Europe pour incarner La Belle Otero, sous la direction de Richard Pottier, en 1954, d'après les mémoires de la célèbre danseuse, et surtout pour French Cancan de Jean Renoir avec pour principal partenaire Jean Gabin et pour rivale la juvénile Françoise Arnoul. Serna, who also interviewed Félix, said "On our first meeting I asked her about her marriage to Raúl Prado (which she denied until the end), the member of the Calaveras trio who sang in Jorge Negrete's films, and she told me that if I was going to go on with those lies, we were not going to be able to work on the book." She had fifteen siblings: Josefina, María de la Paz, Pablo, Bernardo, Miguel, María de las Mercedes, Fernando, Victoria Eugenia, Ricardo, Benjamín and Ana María del Sacramento. María de los Ángeles Félix Güereña, known as María Félix (Spanish: [maˈɾi.a ˈfeliks]; 8 April 1914 – 8 April 2002), was a Mexican film actress and singer. Her marriage with Álvarez was unsuccessful and the couple divorced in 1937. Félix's son was recovered with the help of Agustín Lara, her second husband. María's friends keep claiming that it was crazy. Elle a été élevée dans un couvent à Pico Heights, en Californie. En France, elle fut propriétaire de quelques très bons chevaux de courses comme le célèbre Nonoalco, vainqueur en France des prix suivants : In the 1980s, the Russian-French artist Antoine Tzapoff (Félix's last partner), captured her in numerous portraits. The result was a completely articulated serpent made out of platinum and white gold and encrusted with 178.21 carats (35.642 g) of diamonds. Entre 1942 et 1971, elle joua dans quarante-sept films, au Mexique, en France et en Italie. In this film, as well as in stories like Canasta de cuentos mexicanos (1955) and Café Colón (1958), she worked again with Pedro Armendáriz. [citation needed], Félix was married four times. L'idole revient à son public hispanique, jouant notamment avec Carlos Thompson en Argentine et retrouvant Emilio Fernández pour Reportaje (1953) où elle incarne... une star de cinéma. After her divorce, Félix returned to Guadalajara with her family, where she was the subject of gossip and rumors due to her status as a divorcée. We were completely different. Félix, Enrique Alvarez -1996. Alatorre attempted to kidnap their son Enrique after a major fallout and was rescued by her would-be second husband, Augustin Lara, a noted composer. One day, the father of her son visited the child, and deliberately refused to give the boy back to his mother. Félix returned to Mexico in 1955. Luis Spota was inspired by her life for his novel The Empty Star, and Félix even starred in the film version in 1958. María Félix; Biografske informacije; Rođenje: María de los Ángeles Félix Güereña 8. april 1914 Álamos, Sonora, Meksiko: Smrt: 8. april 2002. Her stay in Mexico was mainly based on her marriage to the actor and singer Jorge Negrete,[13] her former film rival, with whom she filmed El rapto, directed by Emilio Fernández, Negrete's last film. Enrique Álvarez Félix was born in 1934 in Mexico. First, in 1982, with the film Toña Machetes, and again in 1986 with the film Insólito resplandor. [27], After her second divorce, Félix had romances with some well-known men, such as Mexican aviation entrepreneur Jorge Pasquel, Spanish bullfighter Luis Miguel Dominguín, and Argentine actor Carlos Thompson. La date de naissance de María Félix est sujette à controverse. He's my best friend. The House of Hermès (Couture Department) designed extravagant creations just for her. When his parents divorced in 1938, his mother lived for a time at home with her own parents until 1939, when she traveled with Enrique to Mexico City.
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