She's setting an extreme example for young women in music.". Esperanza Spalding Is The 21st Century's Jazz Genius The ways in which Spalding's music is the most radical are perhaps the most easily ... pianist … Each guest-star … ", "If we go back in the music's history," explains Carrington, who is well-versed in women's struggles in jazz, "there are very few people who are accomplished in all of the areas that Esperanza is. Soon after picking up the acoustic bass at the late age of 14, she helped form Noise For Pretend, an eclectic band fusing jazz and pop for which she sang and played bass (often simultaneously). March 8, 2010 Save this story for later. A native of Portland, Ore., Spalding played classical violin as a child and gigged in an indie band on bass as a teenager. She performed on vocals, piano, electric organ, electric bass and bass drum. It was released on 18 April 2006 on the Spanish label Ayva Music. Alumni of Miles Davis' second great quintet, the two men pioneered fusion starting in the 1970s, walking paths that brought them to audiences for commercial music. Esperanza Spalding performs at the 2011 Montreux Jazz festival in Switzerland. The five-song EP was captured during the duo’s 2018 concerts at the highly reputable Village Vanguard nightclub in New York City. Our list of the 200 Greatest Songs By Women+ offers a soundtrack to a new century. There's something particularly powerful about seeing a woman succeed — and succeed wildly, popularly — on the instrument. At the beginning of her career, Spalding recently told me by phone, she was considered "a hot — hey, I'm still hot — brown lady of indeterminate ethnicity. Acclaimed, Grammy-winning jazz bassist and vocalist with an ambitiously cross-pollinated sound. Esperanza Spalding’s fierce talent in double bass and vocal work earned her a Grammy in 2011 for Best New Artist, making her the first jazz musician and one of only four Oregonians to ever win that award. Spalding appeared as a guest on Janelle Monáe's 2013 album The Electric Lady and Bruno Mars' 2012 Unorthodox Jukebox. Made visible, hers is leadership that cannot be denied. That fusion was already audible in Esperanza's funky bass lines, but has taken off in her later projects as she has come into the orbit of black popular musicians. It was also at age 15 that she returned to public school. Haar moeder, die Esperanza en haar broer opvoedde als alleenstaand moeder, was een onafhankelijke, hardwerkende vrouw. Esperanza Spalding Born in 1984, bassist, singer and composer Esperanza Spalding began playing in small jazz and blues venues around her hometown of Portland, Oregon. Esperanza Emily Spalding (born October 18, 1984) is an American jazz bassist, singer, songwriter, and composer.Her accolades include four Grammy Awards, a Boston Music Award, and a Soul Train Music Award.. A native of Portland, Oregon, Spalding began playing music professionally in her childhood, performing as a violinist in the Chamber Music Society of Oregon at age five. By John Colapint o. She chooses not to perform desire or longing, themes that fuel the most deeply held stereotypes of jazz women as singers who simply emote rather than perform with technical skill. And those in the industry didn't care how I played because they saw I was marketable.". At times, they've grumbled that her music is too immature or too accessible (read: too playful and too joyful), a stance so predictable that it says more about the intractability of critics than the music. Esperanza Spalding; Exposure. Radio Music Society featured a guest appearance by Lalah Hathaway; Q-Tip produced a pair of its tracks. Haar zwarte afkomst heeft ze via haar vader: "Mijn moeder is Welsh, Hispanic … It is the foundation of any band: its rhythmic and harmonic center of gravity, its anchor. Background. Born in 1984, bassist, singer and composer Esperanza Spalding began playing in small jazz and blues venues around her hometown of Portland, Oregon. Perazela “Ace of Bass!” Boston Globe “She communicates her upbeat personality in everything she plays. Sie wechselte zu diesem Instrument … It was during these years, starting at age five, that she began playing violin after seeing Yo-Yo Ma perform on an episode of Mister Rogers' Neighborhood. Spanning breezy R&B grooves (“I Know You Know”) and harder-swinging sounds (“She Got to You”), Spalding’s original compositions also signaled the presence of a major talent. By the time of her Grammy nomination, she'd already recorded three albums: Junjo (2006), an offering of breezy originals and standards; Esperanza (2008), a garland of Afro-Latin and Brazilian influences; and Chamber Music Society (2010), a well-tailored concert program featuring strings. Her self-described "f*** it, whatever" attitude, the result of having already faced down a lifetime of low expectations, has served her well. What is a woman? She completed a GED and enrolled in classes at Portland State University, where she earned her B.A. Spanning breezy R&B grooves (“I Know You Know”) and harder-swinging sounds (“She Got to You”), Spalding’s original compositions also signalled the presence of a major talent. She doesn't attempt to reel in her audiences with flirtation. The Turning the Tables project seeks to suggest alternatives to the traditional popular music canon, and to do more than that, too: to stimulate conversation about how hierarchies emerge and endure. A slender reed of a woman who might still be mistaken for a teenager, Spalding possesses a voice that is agile and lithe, closer to Diana Ross, Roberta Flack (a closeted jazz musician) or Brazilian singer Elis Regina than to her jazz precursors. Spalding, then 26 years old and little-known outside jazz circles, had been nominated in the coveted best new artist category alongside Drake, Mumford & Sons, Florence + the Machine and Justin Bieber, the obvious favorite that night. And if you're saying that the bass cannot sound like a butterfly, that's bulls***.". "Bringing a more feminine aesthetic into the music is mandatory at this point. Today (May 29), singer/bassist/composer Esperanza Spalding and pianist/composer Fred Hersch have released a five-song EP, Esperanza Spalding & Fred Hersch: Live at the Village Vanguard … Read More “Esperanza Spalding and Fred Hersch Release Limited-Edition Benefit EP” Although Spalding has performed, and continues to, in groups such as beloved saxophonist Joe Lovano's Us Five, she has leapfrogged through the expected dues-paying to make her own music. The album topped Billboard's Contemporary Jazz Albums chart, where it remained for over 70 weeks. Bassist and singer Esperanza Spalding is a Grammy-winning performer with an ambitiously cross-pollinated approach to contemporary jazz. There, she joined the school band and first began playing the acoustic double bass. She excelled at the instrument and joined the Chamber Music Society of Oregon. Humpty Dumpty 4. Spalding’s history with Lovano includes her membership of his two-drummer Us Five group, which took DownBeat’s 2010 critics award for best jazz group. Bassist and singer Esperanza Spalding is a Grammy-winning performer with an ambitiously cross-pollinated approach to contemporary jazz. ... before the composer clears her canvas again—giving pianist Robert Glasper space for a darting jazz solo. Spalding has undeniably made her mark within that male-dominated, musically conservative field. It included eight originals and three covers, and featured guest vocal appearances from Milton Nascimento and Gretchen Parlato, as well as a small string section, and guitarist Ricardo Vogt. World Premiere: Chucho Valdés Summit with Joe Lovano and Esperanza Spalding Chucho Valdés Winner of six Grammy and three Latin Grammy Awards, the Cuban pianist, composer and arranger Chucho Valdés is the most influential figure in modern Afro-Cuban jazz. Esperanza Spalding's seventh studio album, 12 Little Spells was a multisession work of sixteen new songs released in 2018 one by one, performed with a large electroacoustic 22-musician ensemble. Some rethink the building legacies of popular artists; others celebrate those who create within subcultures, their innovations rippling outward over time. Pop fans of a certain age may only remember Esperanza Spalding as a spoiler, the interloper who once robbed an obsessively worshiped teen idol of his Grammy. Hailed as a prodigy in her teens, Spalding garnered wider attention in the 2000s with the release of her debut, Junjo, and its follow-up, Esperanza, the latter of w…. (Incidentally, Spalding is writing the libretto for Shorter's opera Iphigenia, premiering in 2020.) Prince invited her to jam, and she played on his BET Lifetime Achievement Award tribute and opened for him on tour in 2011. bass & vocals: Esperanza Spalding drums: Otis Brown piano: Leo Genovese guitar: Ricardo Vogt Body and Soul But the upset was less shocking for the vitriol of spurned Beliebers— of which there was plenty — than as the first and only time the award has been given to someone who self-identifies as jazz artist. She immediately connected with the instrument, and at age 16 again left school to focus on music full time. Read Full Biography. She burst onto America’s jazz music scene with the release of her debut album Junjo in 2006, receiving favorable reviews from the likes of the New York Times’ critic Ben Ratliff. So she's not digging in as hard; it gives her a kind of fleeting emotion that is beautiful. No one expected her to win, least of all herself. Spalding, instead, has more in common with two of jazz's greatest living composers: pianist Herbie Hancock and saxophonist Wayne Shorter, co-founder of the superband Weather Report. Photo Illustration: A163/Gamma-Rapho via Getty Images and Angela Hsieh/NPR, The 200 Greatest Songs By 21st Century Women+. Junjo by Esperanza Spalding, released 06 June 2005 1. The benefits of their creative exchanges may seem obvious to those outside of jazz, but they run contrary to jazz's often elitist musical culture. A culmination of Spalding's work and influences to date, this is funk at its most serious-minded and compositional. Brad Mehldau. But the ways in which Spalding's music are truly the most radical are perhaps the most easily overlooked: how her approach to singing and the substance of her playing challenge gender norms across styles. She scored a surprise win for Best New Artist at the 2011 Grammy … Spalding doesn't sing torch songs and rarely writes of romance. Portland, Oregon-born jazz singer, bassist, and cellist Esperanza Spalding displayed prodigious talents from an early age playing violin with the Chamber Music Society of Oregon. The year was 2011. Spalding groeide op in de King-buurt van Portland, een buurt die ze zelf een "getto" en "behoorlijk beangstigend" noemde. This series of essays takes on another task. Like keyboards, the bass provides accompaniment. It's not enough to make list after list. Biografie Jeugd. "Judas" wows with epic, rangey harmonies linked together by a recurrent, loping bass line. —Ann Powers. In addition, it became the best-selling album by a new jazz artist internationally during 2008. Born in 1984, bassist, singer and composer Esperanza Spalding began playing in small jazz and blues venues around her hometown of Portland, Oregon. Like guitar, it can take pyrotechnic solos. the Berklee College of Music. Leaving Portland, she transferred to the Berklee School of Music in Boston, where she graduated in 2005 and was subsequently hired as an instructor, becoming the school's youngest faculty member at age 20. Esperanza Spalding. It can't be abandoned for the microphone or dismissed as an accessory. Esperanza Spalding’s music. She is definitely headed for a great career, and it will be soon.” Three more have followed since then: Radio Music Society (2012), a collection of hummable, danceable, radio-friendly tunes that won a Grammy for Best Jazz Vocal Album; Emily's D+Evolution (2016), an Afrofuturistic landscape of complex, groove-oriented compositions; and the unprecedented Exposure (2017), created in just 77 hours while streamed on Facebook Live. Away from teaching, Spalding enjoyed a burgeoning performance career, leading her own trio and working with a host of artists including Joe Lovano, Patti Austin, Michel Camilo, Charlie Haden, Regina Carter, Pat Metheny, Dave Samuels, and many others. Subsequently, she spent much of her childhood being home-schooled. Mit fünfzehn Jahren wurde sie Konzertmeisterin des Orchesters und entdeckte im selben Jahr für sich den Kontrabass. It's tempting to think of Spalding as a prodigy. Perazuán 6. Esperanza Spalding performs at the 2011 Montreux Jazz festival in Switzerland. And, with its echoes of Joni Mitchell, "Earth to Heaven" splays a broken chorus across voices, guitars, bass and keyboards, interrupting serpentine melodies. The Peacocks 2. That Spalding can sing with power and spirit while refusing to operate from a place of emotional want represents an enormous psychic shift within jazz, bringing the music in line with contemporary women's values. Two years later, she released Esperanza (on Heads Up Records), which proved a critical and commercial success. During the press party for Chamber Music Society, I remember overhearing one critic complain to another, "Well, she's no Paul Chambers," referring to the muscular Detroit bassist on some of Miles Davis' most famous albums. There was a novelty that drew people to me as an entity before the merit of my work could make a place for itself. If Spalding assembled her musician's toolkit by mastering classical music, jazz and its Afro-Latin counterparts, she came into her own by threading those influences through the R&B she heard on the radio when she was a kid: Sam Cooke; Smokey Robinson; Earth, Wind & Fire. Many times people didn't expect anything from me because I was a pretty girl. Cantora de Yala 8. Likewise, her bass playing redefines that instrument through her penchant for lyrical invention. Born in Portland, Oregon, in 1984, Spalding suffered from chronic pneumonia and rheumatoid juvenile arthritis, side effects of an autoimmune deficiency disorder. Two Bad 9. Drummer, composer and producer Terri Lyne Carrington, who first met Spalding during those early Berklee years, prefers a different term: "I call her a genius every chance I get. And she puts it all together in a way that's commercially appealing. Bassist Esperanza Spalding is one of the most talked-about artists in jazz today. It's a timeless question on the surface, but one deeply engaged with whatever historical moment in which it is asked. Mompouana 5. Similarly, few have traversed such diverse stylistic terrain at such a young age, a feat Spalding has accomplished in spite of being policed by jazz purists. In August 2010, Spalding returned with Chamber Music Society, a more stylistically expansive production that found her straddling the line between contemporary modern jazz, R&B, and Brazilian traditions. Bassist and singer Esperanza Spalding is a Grammy-winning performer with an ambitiously cross-pollinated approach to contemporary jazz. But unlike these instruments, the bass is not optional. (When I saw the show, I couldn't help checking out Questlove seated at the end of my aisle, his head bobbing to Spalding's "I Know You Know.") Photo Illustration: A163/Gamma-Rapho via Getty Images and Angela Hsieh/NPR Spalding, instead, has more in common with two of jazz's greatest living composers: pianist Herbie Hancock and saxophonist Wayne Shorter, co-founder of the superband Weather Report. These artists clearly acknowledge Spalding as a talented peer. Loro 3. Her lyrics are poetry. This year, Turning the Tables considers how women and non-binary artists are shaping music in our moment, from the pop mainstream to the sinecures of jazz and contemporary classical music. Spalding is van etnisch verschillende komaf. Visionary vocalist/songwriter Esperanza Spalding and renowned pianist/composer Fred Hersch announce a 5-song duo EP to benefit musicians impacted by the COVID-19 pandemic… Available exclusively for download via Bandcamp only through June 2020 [VIEW] The COVID-19 pandemic is having a devastating effect on the jazz community, leaving countless musicians to face … Her voice is capable of acrobatics. They come at a time when the form has its sights set in the rearview mirror, when most young artists are "trying to sound like they peaked in 1942 or 1957," says Carrington. in just three years. The 25 arguments writers make in these pieces challenge the usual definitions of influence. She didn't exactly come out of nowhere. Available with an Apple Music subscription. In bassist Esperanza Spalding and pianist Leo Genovese, the veterans DeJohnette and Lovano have found two leaders of a new generation. She's a virtuosic bass player. Mit fünf Jahren lernte sie Violine spielen motiviert dadurch, dass sie den Cellisten Yo-Yo Ma im Fernsehen gesehen hatte[2] und spielte zehn Jahre im Orchester des lokalen Kammermusikvereins (Chamber Music Society of Oregon). By the time she was 15, Spalding had been named the ensemble's concertmaster violinist. Acclaimed bassist, vocalist and composer Esperanza Spalding and pianist and composer Fred Hersch are set to release Esperanza Spalding & Fred Hersch: Live at the Village Vanguard – Rough Mix EP. She graduated from the Berklee College of Music in only three years, becoming, at the time, the youngest instructor in the school's history at the age of 20. Her compositions are not easy. Because Paul Chambers didn't get around the instrument the way she does. To claim the bass is to take on a role and occupy a register, one where we may have been blind to women's absence (such that it's easier to accept Meghan Trainor or Nicki Minaj adopting "bass" as a sexual innuendo than to envision a woman commanding the instrument). Our 25 Most Influential Women Musicians of the 21st Century illuminate its complexities. Acclaimed, Grammy-winning jazz bassist and vocalist with an ambitiously cross-pollinated sound. Esperanza Spalding further developed her talents at. "That really ticks me off," Carrington responds, knowing there's no way to compete with dead legends. She also began playing locally, and studying privately with noted Portland jazz artists Ron Steen, Thara Memory, Darrell Grant, and others. The album reached number one on Billboard's Contemporary Jazz Albums chart, and helped earn Spalding the Grammy for Best New Artist. Nathan East Describes What It's Like to Perform at the White House, Map to the Treasure: Reimagining Laura Nyro. Junjo is the debut album by American bassist and vocalist Esperanza Spalding. The debut recording by acoustic upright bassist and vocalist Esperanza Spalding, a native of Portland, OR, residing in Boston, MA, is an exercise in joy and freedom.Well rendered for such a very young musician, it's quite notable, considering the certainty of her concept and clarity of her vision. And it's tempting to write that she does everything Paul Chambers did except backwards and in high heels, because it's still gratifying to see women shredding ferociously on this instrument.
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